Jollyjack apsara trick shot
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The trick concludes with Hrithik floating down into a huge water tank holding the burning candle and the water extinguishes the flame, the magic re-ignites it.
![jollyjack apsara trick shot jollyjack apsara trick shot](https://i.servimg.com/u/f48/15/58/99/54/tm/high_k10.jpg)
This required a lot of clean up work such as wire removal as well as tracking his eye movement to the CG flame. He is shown doing a magic trick where he blows a candle and the CG flame detaches from the wick and keeps floating up in the air, as does Hrithik, who joins the flame back to the wick. Hrithik performs two candle tricks in the film the first one is successful but the second one is where he has his accident. All the house shots were filmed at different times of the day or night and each one demanded individual attention depending on the narrative. The Prime Focus VFX team used photorealistic yellow flowers created in CG and dramatic sky in places to add more essence to the storyline. “For instance on Ethan’s last party the house is fully lit from inside which meant the window panes had to reflect that, so we added CG lighting, which was created in Maya” Reupal added. The next challenge was to get the desired look and feel, for which we worked on various concepts for the house which covered every little detail”.Īfter setting the look of the house, which included creating broken window pains and a CG carpet drying outside, the next step was to take care of the lighting to make it look real and authentic and not CG. To start with we didn’t have a blue print of the church, so we created the house from scratch in CG. Reupal Rawal, VFX Supervisor said: “The brief from the client was to make the house look old and unkempt.
JOLLYJACK APSARA TRICK SHOT MOVIE
The enormous grand house that appears throughout the movie was a CGI creation to replace the church that was at the shoot location in Goa.
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The detailing went to the extent of casting the shadow of the fly when it sits on Hrithik’s nose.” After various alterations the movement was locked and then the team moved on to lighting up the fly to match the actual shot with Hrithik. Once all the references were in place, the team went ahead and started modelling and texturing in CG to make it look as close to real as possible, then the team started animating it.Įxplaining the scene, Reupal said, “The challenge was to match the animation of the fly to Hrithik’s eye movement. Also a lot of research was done to understand the behavioral patterns of a fly, such as the way it moves. For this sequence, the team at Prime Focus did a lot of referencing to get details of the texture, look and feel, movement, the flutter of the wings etc. This is the much talked about opening shot in which Hrithik Roshan is sitting on a wheelchair and trying to flick a fly off of his nose. We have a special treat for you because they have given us the secrets behind some of the coolest shots! I feel that the greatest reward for our work is the recognition and such opportunities where we could exhibit our potential and set newer bench marks for ourselves.” It’s not just another laurel added on to our achievements, but an experience that has enriched us all in many ways. Guzarish has been an opportunity and as well as an inspiration. VFX Supervisor who was involved in delivering all the challenging shots says, “We at Prime Focus feel extremely proud to have won the Apsara Awards 2011 for VFX. And rightly so, as it is a movie filled with magic tricks, mesmerizing visual effects, a special classy feel and DI effects, which make the movie, look a bit European. Taking the credit for this award is Prime Focus, the global visual entertainment services group where a team of around 50 artists worked together for around 4 months on all the VFX, DI and CG related aspects of the movie to make the movie truly eligible for this award. As Bollywood is soon catching up with the international levels of VFX and CG, it was Sanjay Leela Bhansali’s visual extravaganza Guzaarish, which won the title of the best special effects at the APSARA Awards 2011 on the eve of 11 January 2011.